The Bads of Bollywood Review: Aryan Khan’s Directorial Debut Redefines the Game
- byPranay Jain
- 18 Sep, 2025
When the son of Bollywood’s “Badshah” takes charge behind the camera, expectations are naturally sky-high. But instead of crumbling under pressure, Aryan Khan has turned his debut into a statement. With The Bads of Bollywood, he has proved that he isn’t just a star kid living off a surname—he’s a filmmaker with vision.
A Bold Story with a Dark Core
The series opens with Aasman, an ambitious newcomer in the film industry. His debut film becomes a blockbuster, earning him fame overnight and a lucrative three-film deal. But the glittering world of Bollywood hides ruthless power struggles, shady deals, and backstabbing at every step. As Aasman navigates the maze, the story asks a piercing question: can he build an identity of his own, or will the darkness of the industry consume him?
Streaming now on Netflix, The Bads of Bollywood dares to peel back the glamorous façade of showbiz.
Aryan Khan’s Touch as a Director
Born into the heart of the industry, Aryan Khan knows its shadows well—and he doesn’t shy away from showing them. His storytelling is sharp, layered, and unpredictable. Every episode brings a twist, ensuring viewers never lose interest. More than a glossy drama, the series plays like a satire on the industry itself, delivering both entertainment and reflection.
Performances and Writing
Backed by the strong writing team of Bilal Siddiqui and Manav Chauhan, Aryan balances intrigue with realism. The characters feel alive, their dilemmas familiar to anyone who has seen the struggles of Bollywood insiders. The performances, guided by Aryan’s steady hand, blend perfectly into his vision.
Verdict: A Star is Born (Behind the Camera)
With The Bads of Bollywood, Aryan Khan has made a remarkable debut, cementing himself as a director worth watching. It’s gripping, satirical, and brave—a series that doesn’t just entertain but also dares to question the system. Aryan Khan has arrived, and this is only the beginning of his directorial journey.






